Karuizawa International Ballet Competition

JURY

審査員 / 課題曲

TETSUSHI SEGAWA

PRESIDENT OF THE JURY：TETSUSHI SEGAWA

PROFILE

Tetsushi Segawa began his dance training in Himeji, Japan at the age of eight and joined Sadamatsu Hamada Ballet Company in 1999. He was a scholarship student at Osaka University of Arts where he received his degree in dance in 2001. He has won many prizes in various competitions in Japan, including the second place prize at the 57th All Japan Ballet Competition in Tokyo. In the United States Mr. Segawa studied at the Joffrey Ballet School as a scholarship student and danced with the Joffrey Ensemble, Rochester Ballet, Mobile Ballet and Cincinnati Ballet. He performed with Les Ballets Grandiva from 2003 to 2011. In 2011 Mr. Segawa moved to Toronto to study in the Teacher Training Program for Professional Dancers at Canada’s National Ballet School. He graduated with distinction in June 2013, obtaining a diploma from Canada’s National Ballet School and Cecchetti Associate teaching qualification from the Cecchetti Society of Canada.

MIHO TSURUTANI

PROFILE

Graduated from The Royal Ballet School, U.K.
Upon graduation, she has danced with the English National Ballet, the National Ballet of Japan, and the K Ballet Company. She was a Soloist at the opening ceremony of the Nagano Olympics in 1998. After retiring, she obtained the Enrico Cecchetti Final Diploma, the highest dancing qualification of the Cecchetti Method, and the Fellowship, the highest teaching qualification of the ISTD, U.K.
She founded “The Ballet Garden”, which is authorised by the ISTD, U.K. in 2011. She has been actively working as an audition tutor and interpreter for ballet schools in the U.K., and has been invited to teach at workshops and competitions in Japan and overseas. She has also been working as a Judge for competitions at various places.
She translated and proofed the text of the Enrico Cecchetti DVD/Blu-ray (published by Opus Arts, Royal Opera House, UK) and printed material into Japanese, by the request of the Cecchetti Society Trust, U.K.

MIHO TSURUTANI

KAYO NAGATA

PROFILE

She began her ballet training at the age of 10 under Mme. Mieko Wakui in Japan. From 1994 to 1997, she studied at the Bolshoi Ballet Academy under Mme. Marina Leonova who is the current Dean of the academy. After she graduated top of the class, she joined the State Moscow Classical Ballet. In 1999, she came back in Japan and joined K-Ballet Company as First Soloist. She appeared in various productions as a partner of Tetsuya Kumakawa. In August 2009, she joined the National Ballet of Japan as Soloist and promoted to Principal in 2013. She retired from the company in 2017. In the same year at the Tokyo Performing Arts Festival, she danced the leading role at the performance by Public Juridical Foundation Japan Ballet Association.

FEMALE VARIATION LIST

1. Don Quixote Act 2 -Cubid

2. Don Quixote Act 3 -Kitri

3. Don Quixote Act 2 -Dulcinea

4. Don Quixote -Queen of the Dryads

5. Don Quixote -Kitri’s Friend 1

6. Don Quixote -Kitri’s Friend 2

7. The Sleeping Beauty Act 3 -Princess Florine

8. The Sleeping Beauty Act 3 -Aurora

9. The Sleeping Beauty Act 1 -Aurora, Rose Adagio

10. The Sleeping Beauty -Lilac Fairy

11. The Sleeping Beauty -Silver Fairy

12. The Nutcracker Suite -Sugar Plum Fairy

13. Swan Lake Act 2 -Odette

14. Swan Lake Act 3 -Black Swan, Petipa

15. Swan Lake Act 3 -Black Swan, Grigorovich

16. Swan Lake -Pas de Trois Variation 1

17. Swan Lake -Pas de Trois Variation 2

18. Raymonda Act 1 -Pizzicato

19. Raymonda Act 2 -Tableau du Reve

20. Raymonda Act 3 -Raymonda

21. La Fille mal gardée -Lise

22. Giselle Act 1 -Peasant Variation 1

23. Giselle Act 1 -Peasant Variation 2

24. Giselle Act 1 -Giselle

25. Giselle Act 2 -Giselle

26. Giselle Act 2 -Myrtha

27. The Flames of Paris -Jeanne

28. Grand Pas Classique

29. Coppelia -Swanilda

30. Carnival in Venice -Satanella

31. La Esmeralda -Diana

32. La Esmeralda -Esmeralda

33. Paquita -Variation 1

34. Paquita -Variation 2

35. Paquita -Variation 3

36. Paquita -Variation 4

37. Paquita -Etoile

38. La Bayadere -Shade Variation 1

39. La Bayadere -Shade Variation 2

40. Le Corsaire -Medora

41. Le Corsaire –Queen of the Dryads

42. Le Corsaire -Paquita

43. Le Corsaire -Gulnara

44. Le Corsaire -Le Jardin Anime

45. Le Corsaire -Odalisque Variation 1

46. Le Corsaire -Odalisque Variation 2

47. Le Corsaire -Odalisque Variation 3

48. Harlequinade

49. Cinderella

50. Fairy Doll

51. The Flower Festival In Genzano

52. Tschaikovsky Pas de Deux

53. La Bayadere -Gamzatti

54. Napoli -Teresina

55. The Awakening of Flora -Flora

56. The Awakening of Flora -Aurora

57. The Awakening of Flora -Hebe

MALE VARIATION LIST

1. Tschaikovsky Pas de Deux

2. Don Quixote Act 3 -Basilio

3. Giselle Act 1-Peasant Variation 1

4. Giselle Act 1-Peasant Variation 2

5. Giselle Act 2 -Albrecht

6. The Nutcracker Suite Act 2 -Prince

7. The Sleeping Beauty Act 3 -Blue Bird

8. The Sleeping Beauty Act 3 -Prince Desire

9. Swan Lake -Pas de Trois Variation 2

10. Swan Lake Act 1 -Prince Siegfried

11. Swan Lake Act 3 -Prince Siegfried

12. Coppelia -Franz

13. The Flames of Paris

14. The Flower Festival In Genzano

15. Le Corsaire -Ali

16. Le Corsaire -Lankedem

17. La Esmeralda -Acteon

18. La Sylphide Act 1 -James

19. La Sylphide Act 2 -James

20. La Fille MalGardee -Colas

21. Grand Pas Classique

22. La Bayadere -Solor

23. The Talisman

24. Paquita -Pas de Trois

25. Raymonda -Jean de Brienne

26. Dance of Sea and Pearls

27. Harlequinade

28. Cinderella

29. Napoli -Gennaro

30. Napoli -Variation 1

31. Napoli -Variation 2

Music Requirement

＊Participants must submit CD to the reception desk on the day of the competition.

＊Your name, Entry number, The title of the variation must be written with a permanent marker on CD and its case. The entering wing and its timing also must be written and need to be instructed by the person concerned on the day.

＊Participants must make sure if your music to be able to play back on a general CD player.

＊Participants are responsible for a backup CD and bring it on the day.

＊All copyright negotiations are the responsibility of each participant.